Smock Alley Theatre, 1662 was the first custom built theatre in Dublin City and still remains in substantially the same form, making it one of the most important sites in European theatre history.
Smock Alley Theatre, 1662 was the first theatre outside London to receive the title of Theatre Royal, but, because it had been built on land reclaimed from the Liffey, the building was unstable and the gallery collapsed twice. It was rebuilt in 1735.
The theatre closed in 1787. The building was then used as a whiskey store until Father Michael Blake bought it to set up a church. When the bell tolled in 1811, 18 years before the Catholic Emancipation, the first Catholic bell to ring in Dublin in nearly 300 years was heard. The façade boasts ornate stained glass windows and the original ceiling plasterwork remain in the Smock Alley as a witness of this time.
After a six year renovation, Smock Alley Theatre, 1662 reopened its doors as Dublin’s oldest newest theatre in May 2012. With three gorgeous venues, Smock Alley is the perfect place to spend a cultural evening out. They partner with many arts and cultural festivals to welcome audiences, engage with artists and create exciting cultural events. From Dublin Theatre Festival to First Fortnight and from IMRAM to the Irish literature Festival these partnerships are a vital part of their annual programme.
- UBU
Arts and cultureUBU Dublin Youth Theatre is thrilled to present UBU; written by CN Smith, with the company, and directed by Dominic O’Brien.
- The Baby Tribe Live
AutumnThe Baby Tribe Live Baby Tribe Live: A Show About Modern Parenting. Real talk, big laughs, and no judgment, parenting in the age of screens and chaos..
- The Cambridge Footlights International Tour Show 2025
AutumnThe Cambridge Footlights International Tour Show 2025 ‘The most renowned sketch troupe of them all’ (Independent) embark on their annual tour once again!.
- Anonn | The Other Side
AutumnAnonn | The Other Side Seoirse has been pretending to be a spirit medium. But when makes contact with the other side, he’s forced to confront what he has done. A one-man show tackling themes of grief, loss, and the macabre, all from the safety of a salt circle.
- don't copy me (copy) | Dublin Fringe
Autumndon't copy me (copy) | Dublin Fringe Original art is dead, and you’re invited to the funeral. Blending lecture, lies, fact, fiction, music, and dance, don’t copy me (copy) is a tongue-in-cheek response to questions of representation, marginalisation, and problematic faves.